The candle upon my yellow table
Why won't its flame stay still, and calm?
There's no swift current of air passing over it
Instead, too aware of its vanishing dawn
It gambols, it bounds,
Awild
Unrestrained
A polyphony! Its internal law.
Inbar Chava Frishman
The candle upon my yellow table
Why won't its flame stay still, and calm?
There's no swift current of air passing over it
Instead, too aware of its vanishing dawn
It gambols, it bounds,
Awild
Unrestrained
A polyphony! Its internal law.
What can we learn from poor
Unica Zürn
Anne Sexton
And Sylvia Plath?
That being a poetess is bad for one's health!
Homecoming is a predatory, corpulent child
Not patient to wait 'til I've undressed and eaten
But pounces upon my tired, sore back
Shouting "giddyap, giddyap, giddyap!"
When Emily Dickinson wrote of
"Hope",
As "a thing with feathers that perches in the soul",
She neglected to mention its terrible beak
And talons for tearing into the weak
Hope is no gentle, cooing dove,
But a hungry and treacherous beast from above.
This pain behind my collarbone that
Snatches away my breath
Comes sharp, un-preannounced
A rather indelicate guest
Who I'll invite to stay nevertheless
Such pain is only comfort
As from a workman's calloused hands
I will not make him leave
Regardless of the requests
Of all my other snooty guests.
When I– relieved
Go on to join
The tree roots, and weeds, I
Do not go clean or white as a bleached bone
But silted and sooted and properly burned
For losing my world has left its scorch inside me.
Nothing is ever wasted;
there's nary a thing as waste:
Whether a meal for entropy, growth, or mirth, or the
Hungry worms that till the earth.
Somewhere across the concrete yard that gives
Pause 'tween the teeth of my Yorkville block
Someone is beating a nail into wood
Tap, tap, bang
Hammer nail two by four
Monotone marimba
Unfortunate concerto
And I– I linger in bed
'gainst open window cold
Covers yanked up
Around my bare breasts
Whilst an impatient January morning
Circles like a wolf
Eager for a fallen scrap of meat.
This dreadful thing, this
Opening to consciousness, to
Light and
Consequence
And hope
The latter of course, the most treacherous of them all.
Yes, this grief is sweet
But is no recomcompense for your absence.
It has taught me many things, this grief, like
How to manage bills, and
How to get through milestones such as
Birthdays, and
New Years Eve
(Light candles, drink too much wine, eat pizza and pretend it's just another day)
And yes, as Rumi implied,
Missing you is sweet,
But how saccharine, I think,
I'd so much rather have you next to me
Watching the Twilight Zone in bed,
Eating "cruds" and crackers and brie
Assuring one another of how
Unimportant this day really is
Because we have each other
And what could matter more?
Except that now, of course,
We don't.
We walk hand in hand round the grey reservoir,
Or on rain-soaked cobblestone, slippery sidewalks,
'Neath soggy, cold and golden trees
Note the patterns in the trodden on leaves
Dodging loud tourists who block our way
Staring lost at their phones, looking for the Met
This is our time, our city,
Our space
My melancholy
And me.
I am, I suspect, in danger of falling in love with my grief, so predisposed have I always been to melancholia.
It's the most suitable substitute for my lost Love I've yet to find: always present, safe, and warm, a generous partner to hold against me in a cold, expansive bed.
Were I to buy into the paradigm that we somehow choose our fates, I might even believe that I went into this relationship fully, so that I might fully experience losing Carrie, and the subsequent violent dissolution of my entire universe. But I'm not a fatalist. I did not choose this.
And yet, I've little choice but to embrace it with my whole being, which includes of course, finding the immeasurable beauty within it.
This vocation is my love letter to Carrie: even if it's a letter she'll never read.
I realised something last night whilst on a particularly lovely date; we were talking about what it was we were each looking for, and at first, I'd said something along the lines that I was hoping to find a friend with whom I could share physical intimacy, but then, as I thought about it more, I realised, I'm not as interested in hookups as I'd previously thought. I really do want some kind of actual intimacy that's expressed through many ways, including (but not only) sex, rather than simply sex itself, for its own sake. This may not sound revolutionary, but for me, it was revelatory.
I don't miss coming, nor even making someone else come; I miss the excitement that comes from the slow peeling away of the layers of artifice we all cultivate in order to survive this world, both from myself and from somebody else, allowing our true selves to meet, and the warmth, the friction and melding that occurs as a natural result, when sex is simply the closest tool at our disposal for bringing our bodies along where our souls have already gone.
I've been desperately hurrying through the grief of losing my partner, because part of me is convinced I will never again find the easy kind of intimacy the two of us shared, and it's true, I may not; this is a terrifying thought. I've been subsuming my grief in the process of trying to slake my physical hungers, but with this realisation came the understanding that those hungers aren't only, nor even mainly physical. I cannot run from this pain, and, I no longer wish to. Instead, I want to grow toward something.
This process has been, and will continue to be painful, but it has also been, and I hope, will continue to be beautiful. This is metamorphosis: the dissolution of a previous self in order to emerge anew, and I'm here for it. I'm here for all of it.
Today, when I broke down, quietly sobbing in Max Brenner, the reason I was so upset that the tourists at the next table were staring at, and whispering about me, is because it was a direct contravention of New York protocol.
Ours is a crowded city. I can't count the number of times I've been in a Duane Reade or Gristede's and some young woman in Uggs (always in Uggs,) was on her phone crying, or fighting with someone, and nobody nearby so much as batted an eye. Why? Because in this crowded city, we understand the need for space, invisibility. We respect one another by not making one another self conscious, by not bothering one another. This isn't because we don't care; on the contrary, it's because we understand. It's because we share so much: space, culture, fate, needs...
When tourists come into our communal spaces and contravene our cultural standards it's intrusive. They are the proverbial "ugly Americans", regardless of where they're from.
So I beg you non New Yorkers, come enjoy our beautiful city, but learn something about our customs and culture, and please don't treat us locals as spectacles. We're just living our lives, and sometimes, that means we are publicly messy.
Just ignore us. (Except when we're trying to pass you on the sidewalk; then, for God's sake, please, get the hell out of our way. )
Note: the following is not a suicide note. It's simply a reflection of my daily struggle, of the omnipresence of ideation I've lived with since I was 8, and particularly since my love passed away.
I'm a poet; I often write for the purpose of catharsis, as a way to exorcise certain tendencies.
I'm not a danger to myself, and in fact, I'm committed to doing everything in my power to stay in this beautiful and terrible world.
...
Today marks one month without my Carrie by my side,
And as I sit here in my deep, soft velvet reading chair,
My breakfast of a
Quartered apple
And a bowl of coffee on the Little Yellow Table before me,
Showered, and perfumed,
Dressed, and shod,
I can't help thinking that today,
This moment
This spot
Might be the perfect
Day
Moment, and
Spot
To crack open my father's bottle of Oxy,
And down them with my morning coffee.
There are two stones on the living room window sill,
I don't remember how they got there;
I suppose I found them somewhere, and their smooth roundness was pleasing to my senses.
I have always collected things. They hang around, long after their provenance is forgotten: it's a sort of death of its own I suppose: these objects bereft of their meanings become like carcases.
There are two stones on the living room window sill; I no longer remember from whence they came, nor why I held onto them, but now, I'll keep them nonetheless.
After all, on their surface may still linger some stray molecules of your living breath.
There were so many plans:
We were going to buy a new bed, one that didn't slope on my side
A wardrobe, and dresser (I have "way too many clothes")
One day, we'd go on a cruise; I've never been on one before, and you told me how black and impenetrable the night was out at sea
I wanted so badly to one day show you MY Israel, the way you've shown me YOUR New York.
There was a future, already written
whose pages have now been torn from their spine.
The lemons I'd placed in this bowl have dried out
No longer yellow and soft
The spider plants have all died, their
Dessicated leaves folded in surrender
The blue rug lies,
Just where I left it
But the northeast corner, no longer held in place by your exercise chair
Has flipped over, leaving a
Right angled ghost
In the dust on the floor.
This house is a mess
There is chaos everywhere
Fruitflies drown in my bedside water at night
It's cold,
And the heavy comforter is slowly collecting into a pile on the floor by my side of the bed
No warm body next to me
To halt this entropy.
I will sit alone on my cold terrasse at my little yellow table and drink my wine
I will look for patterns on our sidewalk in the fallen yellow gingko leaves
I will walk to the churchyard and talk to the small flowers that bloom only in the winter
And I will continue to ache for you
I will sip my chocolate slowly, holding the warm cup in both my cold hands
I will dive headfirst into De Beauvoir and Bataille
I will enjoy the sting of the cold Fall air in the back of my throat
And I will continue to ache for you
I will get up each morning and weigh myself, marking each increment toward my shifting goal
I will walk our neighbourhood, discovering new things to tell you about
I will date, and I will kiss and I will fuck and I will love,
And I will continue to ache for you.
I will seek joy
I will find beauty
I will embrace the malaise that permeates my nights
I will continue to converse with you if only in my own head
And I will forever continue to ache for you.
I still remember how the skin of your upper arm felt under my tracing fingertips, the way it felt to pass my hand under the sleeve of your t-shirt to touch your cool back. I remember your scent and the gravity of your body beside me in bed. How, back to back, we'd press the soles of our feet together, sometimes even interlacing toes.
How this new aloneness is real is beyond my comprehension; I reject it and search for your ghost.
"Widow":
the word fits like a too tight, comically ridiculous black velvet hat, but it also feels right. I want the world to know my world has been cracked in half and left bleeding.
I want strangers to be soft with me, waiters and clerks and cashiers to understand and speak gently, make no demands
Because right now, the glue that held me together is gone, and the tiniest bump will shatter me into a million shards.
We New Yorkers are experts at staving off loneliness, so long as there's a 24 hour diner nearby our apartment, so long as we can afford to avail ourselves, (at least for the moment).
The girl in the booth across the aisle from me is talking to her male friend:
"I'm really hungry! I think I'll get the panini ala vodka. Ooh, with chicken! But they have broccoli too. I like broccoli."
Her friend doesn't correct her and the waiter suddenly shows up at their table.
"I want the panini ala vodka" she says.
I lean over: "I think you really want the penne ala vodka" I say, smiling. She laughs:
"Oh right! I'm really drunk" she says.
"Good for you!" I say, "I just didn't want him to bring you a pressed sandwich soaked in vodka."
The panic attack rose while I was in Whole Foods like a wave of nausea I had to keep down or I'd collapse into a screaming, sobbing ball, punching the sides of my own head in the spaghetti sauce aisle.
"Have the two of you discussed what measures would you like us to take in case your heart stops?"
It was a routine question, but the way in which it was asked...
The young doctor was almost apologetic, nervous. She'd spoken as if the question wasn't really "if", but "when".
Carrie, of course, wanted all possible measures taken. The young doctor tried to dissuade her: "You know what that means? That there will be a breathing tube as well as compressions, and that you'll likely need to remain on the ventilator until..."
The unspoken end of her sentence was the loudest sound I'd ever heard.
This is a strange and different country, this grief, over the things that are
Promised to leave me.
Although I've been here before, I know only very few words in the local tongue, and
Barely any of the customs.
The cuisine too is strange
(and potentially poisonous)
But nonetheless, for now, here I sit:
A polite guest at my host's table
Fork and knife and spoon in hand.
A poem I wrote many years ago:
(This poem now has a title, after nearly 20 years, thanks to Philip Ohriner .)
Some people live in a perpetual state of exile
But exile is not always
imposed by place
There are those who are left there by the
passage of time
and those who were simply born mis-
fits into this world
All who are in exile however
have something in common:
we carry small pieces of our
native worlds with us
like pebbles
(some are worn smooth,
some remain tenaciously jagged and sharp)
We carry them in our pockets
or sometimes in our shoes.
I had a dream where I remembered suddenly that I'd been using the space between my toes as book storage, so that I'd always have certain books with me, but then, I realized that I shower everyday, and started worrying that maybe the books weren't in the best condition anymore, so, I took them all out from between my toes, (marveling at how long my big toes were.. they were like 8 inches long! Afterall, these were full size books, ) and looking through them, and saw that they were absolutely fine! In fact, one of them, (it was an old, green, "everyman's library" type hardcover book) when I opened it, the old black and white pictures in it of a polar bear and very fluffy white dog, were still moving.
But what does it all mean?
This is my blog Like it, or not Some of it's good, (Most of it's not) But in the end, it Matters not; I Just needed someplace To ...